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	<title>Ritika</title>
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	<pubDate>Fri, 30 Jun 2023 11:21:52 +0000</pubDate>
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		<title>Toaster typewriter</title>
				
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		<pubDate>Fri, 30 Jun 2023 11:21:52 +0000</pubDate>

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An Investigation of Humor in Design



	



	



We are too serious as a design and innovation industry. Humor is a tool we rarely take out of our toolboxes. We often claim that design can change the world, but design needs humor. This 15 week long investigation attempts to understand humor's role in design and creates futures where humor is embedded in our everyday objects and technologies. The machine, The Toaster-Typewriter is the first iteration of what technology with a sense of humor can look like. 



	

Thesis Research for BFA Product Design Completion: 15 May 2023Duration: 15 weeks







	
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1. Inserting bread into The Toaster-Typewriter


	




	Design is boring, where’s the humor?
	





	
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2. Adjusting height of bread to typeable level

	


	Why do designers refrain from using humor?
	






	
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3. Locking the height with custom mechanism

	


	




	What if comedians became designers?


	






	
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4. Moving the bread with the help of castor wheels attached

	


	


	




	Or designers became comedians?
	








	
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5. Pressing ‘S’ key to lift the letterhead towards the bread

	


	


	




	

What would objects of humor look like?

	









	
&#60;img width="338" height="338" width_o="338" height_o="338" data-src="https://freight.cargo.site/t/original/i/1554ce1434dccc2ae5682807b480e94d0b56b8d9b9f7860e4f5a1718a312a69b/ezgif.com-crop-6.gif" data-mid="184992123" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/338/i/1554ce1434dccc2ae5682807b480e94d0b56b8d9b9f7860e4f5a1718a312a69b/ezgif.com-crop-6.gif" /&#62;


6. Burning the letter onto the bread, spelling out ‘SOS’

	


	


	




	







	

What even is humor? 

	








	A 15-Week Long Research Project
	

	





Humor is one of the least researched human emotions. A 15-week long expedition was conducted to fulfill that gap. Four routes of research emerged: ethnographic research, experimental research, somatic research and research through making. People, objects, body, process. 

	

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	Manifesto&#38;nbsp;
	

	









These 10 Commandments of Humor in Design form a new manifesto for good design. They are the real product of the research. The insights gathered from each of the multi-disciplinary sources were carefully laid out together to draw similarities. In one of the interviews, what a musician said about the sound of laughter was connected to the point made about rhythm of performance in the improv class to form a collective commandment. The ten commandments provide a new curriculum for design, and for thought. 

	

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A. ETHNOGRAPHIC RESEARCH


	


	Funny People Are Important
	

	







Real change is happening in the world through the strategic use of humor. Politicians have been using humor in speeches to sway audiences passively. Greta Thunberg uses humor to insult the same lying politicians. Educators use memes in their presentations to prevent disinterest. Musicians perform stand-up bits between songs. Funny people understand the serious impact of humor. 

	

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	Humor Experts 
	

	

11 individuals from diverse fields and backgrounds such as design, psychology, music, performance, acting, comic books, and storytelling, were interviewed to understand the varied functions of humor in each discipline, and how they have been successfully manipulating it. 



Anthony Dunne: Designer, Educator
	


	




Dr. Pani Farvid: Social Psychologist, Researcher, Educator




Tanya Kalmanovitch: Climate-Activist, Ethnomusicologist, Educator

Allan Wexler: Architect, Designer, Educator

Peter Sim: Designer, Educator, CNC Technician

Brooke Barker: Illustrator, Writer



Nikki Bregman: Designer



John Murphy: Comedy Actor, Director, Writer, Educator




Matthew Leabo: Designer, Educator



Shubham Jumde: Designer


Shubh Nanda: Comedian, Screenwriter
	

	
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	Interview Questions &#38;amp; Responses&#38;nbsp;
	

	The interviews were conducted over the span of 2 months, each interview was between 20-90 minutes long. Interviewees were asked common questions like: In what ways do you actively seek humor in your practice, or What is one joke that made you laugh recently? They were also asked questions specific to their fields like: Is humor an automatic environmental good, or What are the relationships between humor and absurdity?


	


	

	
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	Insights Generated
	

	



Three designers, each with different design practices, one ethnomusicologist who uses music as a tool for climate activism, and one psychologist who researches intersections between gender, sexuality, race and technology. All of these people said, in their own contexts, that they use humor as an integral part of their work to talk about their work in a way that is more inviting.

	

	
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B. THE EXPERIMENT LAB


	

	Experimenting the Limits of Humor&#38;nbsp;
	

	

Three experiments were conducted and three research questions asked to study the intersection between humor and the constructed environments. Exploring the possibility of using humor as a material for physical interventions. 


	




	

EXPERIMENT #0.01: Can a Funny Object, like Googly Eyes, When Applied to Other Objects, Pass on its Humor?
	


	



	&#60;img width="2232" height="1674" width_o="2232" height_o="1674" data-src="https://freight.cargo.site/t/original/i/d6a539ca95bf0b0d50a5b85ec58be2673252126536c935f80ba89a99f444c31b/IMG_20230209_104939-2.jpg" data-mid="184987643" border="0"  src="https://freight.cargo.site/w/1000/i/d6a539ca95bf0b0d50a5b85ec58be2673252126536c935f80ba89a99f444c31b/IMG_20230209_104939-2.jpg" /&#62;
	




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	Googly Eyes&#38;nbsp; = Commodity of Humor
	

	The physicality of humor is played with by using the most obvious representation of it: Googly Eyes. Googly eyes were collected and applied to common household objects like sunscreen, a scented candle and a hand drill. 
	

	



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	The Fragility of Humor
	

	After living with these objects for over a week, one thing was clear: that humor is extremely fragile and time sensitive. The boundaries between funny and creepy become increasingly blurry, and almost non-existent, with more time. Freud’s Uncanny Valley was referred to understand the correlation between horror and comedy in other contexts. 


	



	
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EXPERIMENT 

#0.02 : Is There an Obvious Joke?
	



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	Prompting for Unlearning Object Functions
	

	



29 selected participants, mostly comedians or comedy writers, were given instructions to think of common objects like a toaster, stapler, or a measuring tape. Instructed to forget the functions of these objects, they had to think of 5 new names for them. After picking their favorite name, they were asked to write a 3-step instruction and draw a picture of this new object. 

	




	
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	Results = Weird Objects
	

	

The exercise allowed people to take another look at the objects in their surroundings. They were forced to imagine the objects with humor in them, which is shown in their sketches. Post the exercise, we discussed some of the ideas, came up with commercials for them, and reflected on why these were funny. 

	



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	Three Toaster Bathbombs: A Common Thread
	

	Weirdly enough, or obviously enough, three people wanted a Toaster to be a bathbomb killing machine. Clearly showing signs of what a shared sense of humor can look like, and the possibility of objects that can come out of that. 


	






	



EXPERIMENT&#38;nbsp;

#0.03 - Can We Use Stand-Up Comedy to Generate Design Prompts?

	

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	Taking Notes at Comedy Shows in New York City
	

	

Stand-up comedy is the most accessible form of humor. This experiment aimed to use stand-up comedy as a prompt-generator for design. Going to the comedy club with a notepad and a pen, automatically made the experience vastly different. Things like the laughter of the audience, the rhythm of the comedian, and the interruptions of the servers started to stand out. Here, comedy was a physical thing.
 

	






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	Formalized List of Prompts
	

	

Notes were made for every joke that had the potential to become a design prompt. Like when someone said that “going to the chiropractor is like being in a wrestling match with lively conversation”. From just one show, 16 such prompts were collected.&#38;nbsp;

	






	

C. SOMATIC RESEARCH


	

15- Week Improv Comedy Class
	

Humor is a strong bodily experience, in both the creation and the enjoyment of it. If I claimed to understand humor, I had to put myself in the scene. Hence, a 15-week long&#38;nbsp; improv acting class was taken at The New School. The class, taught by John Murphy, explored comedy through research, observation, games and acting exercises.

	


	
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I actually took this class
	

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	Sculpting, Flowing, Flying
	

	

We learned how to move and how to use our bodies to perform the most mundane tasks, like sweeping the floor or saying hello, so exaggeratedly that it becomes funny. Through observing the idiosyncrasies of the people around us, we learned and adapted behaviors and quirks to build our scenes. 

	

	

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	Chekhov &#38;amp; Shakespeare
	

	

Books of Michael Chekhov and William Shakespeare were studied. Two important acting principles included Chekhov’s The Psychological Gesture exercise, where the actor repeats the same sentence with different tempos and emotions, switching between fast to slow deliveries. And Shakespeare’s The Seven Ages of Man, through which we acted out people from different age groups, from a crying toddler to a grumpy grandpa. Learning how to take reality and turn it into a comedic reality. 


	




	
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	Bread Poet - Persona Building 
	

	

From our learnings we created our own personas and characters. Through improv scenes performed in class, the persona slowly took shape by trial and error, seeing what works, and by reacting to the other actors’ personas. In the end, my persona was a poet who only writes her poetry on bread, but she always ends up eating it, which is her character flaw. 

	





	

D. THE TOASTER TYPEWRITER


	

	




	Research Through Design,&#38;nbsp;

Christopher Frayling


	

	

In the 1960s Christopher Frayling proposed a new method of research, research through design. Design that intends to inform and to unlock the unknowns by making and doing. Design then truly becomes a tool, a process and a documentation for curiosity. It becomes a way of knowing. The making of the The Toaster-Typewriter was a key component of the research.

	





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How to Stretch a Joke?

	

	

One of the iterations from the project&#38;nbsp;Edible To-Do Lists got a very strong reaction. People found a lot of humor in it, and I wondered if I could stretch the joke. Watching the way that comedians are able to keep adding material to make their bits longer and funnier, this project is an attempt at making the bit longer. It takes the laser engraved bread and asks: What if this could be done using a manual machine?


	




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	Intuitive Decision-Making
	

	Learning from the improv class, this was a process of making quick and interesting decisions that had one purpose in mind: to make a toaster-typewriter that burns letters onto bread. The diagram shown here outlined all the possible routes for humor and design to merge. 


	


	&#60;img width="3674" height="2756" width_o="3674" height_o="2756" data-src="https://freight.cargo.site/t/original/i/1db7f3180304966eabbd4299b657af823188bc365c9571c6fb5e1c0f56ea3306/IMG_20230222_173135-4.jpg" data-mid="186331928" border="0"  src="https://freight.cargo.site/w/1000/i/1db7f3180304966eabbd4299b657af823188bc365c9571c6fb5e1c0f56ea3306/IMG_20230222_173135-4.jpg" /&#62;
	
	

	Machines and More Electronics
	

	

A 50 year old typewriter was procured from a junkyard in Brooklyn and a $15 toaster was bought at Target. The toaster serves as a symbol for a machine that should never have really existed. It is so easy to replace a toaster with a lighter, a pan, or an open flame. The typewriter on the other hand is a magnificent device, but it is of no use today with all the technology that exists. How can these devices be reinvented to be useful again?


	








	&#60;img width="6058" height="6058" width_o="6058" height_o="6058" data-src="https://freight.cargo.site/t/original/i/0184e66069205211bdd9a6ceb5963cd53bc1dced54f0a516364f5ff5fea137ad/img042-2-15-copy.jpg" data-mid="186125204" border="0"  src="https://freight.cargo.site/w/1000/i/0184e66069205211bdd9a6ceb5963cd53bc1dced54f0a516364f5ff5fea137ad/img042-2-15-copy.jpg" /&#62;
	

	Construction Documents
	

	Less of a plan for “making it work”, the construction document details all the things to be altered to make the visual of The Toaster-Typewriter. It cannot look more like a toaster or more like a typewriter, it has to be a third machine of its own personality. The functions of the typewriter were given to the toaster- like being able to move the page up, down, left and right. And visa versa, the typewriter could now toast bread. 


	








	&#60;img width="4001" height="2485" width_o="4001" height_o="2485" data-src="https://freight.cargo.site/t/original/i/103c0ac61d8596ee5218ae4ca2d03d735ba614e6a24cb763a75dfacf6ae29a8c/Group-10---process-gridcompressed3.jpg" data-mid="186161884" border="0"  src="https://freight.cargo.site/w/1000/i/103c0ac61d8596ee5218ae4ca2d03d735ba614e6a24cb763a75dfacf6ae29a8c/Group-10---process-gridcompressed3.jpg" /&#62;

	Disassembling, Misassembling, Tinkering, Deep Cleaning, Metalworking, Woodworking, Electric Circuiting, Spray Painting, Soldering, &#38;amp; Machine Testing


	

	

The process of making and engineering the machine to life was an endeavor of 8 weeks. Beginning by reverse engineering the 

typewriter 

and the

toaster 

 to remove excess material, followed by a deep cleaning of the old typewriter to get rid of dirt and rust to make it type again. A custom locking mechanism and castor wheels were welded and screwed in. Various ways of heating up the wire to burn letters were tested.

	







	&#60;img width="2374" height="1583" width_o="2374" height_o="1583" data-src="https://freight.cargo.site/t/original/i/a064b674c95b0175a38901c1713dee023df7eb020a4665173f800f2a5582c0f9/IMG_20230415_165631-2.jpg" data-mid="186332294" border="0"  src="https://freight.cargo.site/w/1000/i/a064b674c95b0175a38901c1713dee023df7eb020a4665173f800f2a5582c0f9/IMG_20230415_165631-2.jpg" /&#62;
	

	Collaborating with Engineers
	

	

To actually make it work and burn letters on bread, I collaborated with electrical engineers from Hack Manhattan, a maker’s space in NYC. We learned from the simple mechanisms used in a wire foam cutter. A conductive copper wire was shaped into the alphabet of choice (this&#38;nbsp; typewriter has S, O, and U) which is connected on both ends to a transformer power adapter, and plugged into the wall. The mechanism worked on its own, but to be attached to the all-metal typewriter, it needed additional custom clay letterheads to be built to protect from electrocution.

	





	&#60;img width="6042" height="4028" width_o="6042" height_o="4028" data-src="https://freight.cargo.site/t/original/i/56d005a63ec8a66d5f0e9fdf871724ae32db35cc778f6f800d7827d9b91957de/IMG_0151.jpg" data-mid="186141891" border="0"  src="https://freight.cargo.site/w/1000/i/56d005a63ec8a66d5f0e9fdf871724ae32db35cc778f6f800d7827d9b91957de/IMG_0151.jpg" /&#62;


	

The Toaster-Typewriter in Action

	

	

The thrill of typing your first letter onto bread using The Toaster-Typewriter cannot be described in words. This new extraordinary of eating text opens up the world to a new form of communication and a new form of cooking. What’s so funny about bread? Through this machine, a global staple food is made funny by completely diminishing its value by placing text on it, bringing into view the privileged market that new technologies usually cater to. 

	


	
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/315b73c28ee48c46a4f4124bdc0093021cdd65774c5887b611a4db477d76d3bb/IMG_0322.jpg" data-mid="186141898" border="0"  src="https://freight.cargo.site/w/1000/i/315b73c28ee48c46a4f4124bdc0093021cdd65774c5887b611a4db477d76d3bb/IMG_0322.jpg" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/e45c809f30a6552e2afe08c03dcdce73ff9ff037f7cb746f923b94aef364653d/IMG_0358.jpg" data-mid="186141885" border="0"  src="https://freight.cargo.site/w/1000/i/e45c809f30a6552e2afe08c03dcdce73ff9ff037f7cb746f923b94aef364653d/IMG_0358.jpg" /&#62;
&#60;img width="6074" height="4049" width_o="6074" height_o="4049" data-src="https://freight.cargo.site/t/original/i/568ecfa2364604f0f7db05144ec81873aaaf89dab464ab31fca7349491f65fb0/IMG_0325.jpg" data-mid="186141902" border="0"  src="https://freight.cargo.site/w/1000/i/568ecfa2364604f0f7db05144ec81873aaaf89dab464ab31fca7349491f65fb0/IMG_0325.jpg" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/17cdea1976d63d0db675c91fe960e320bb22a5218a1cd16bc09d7d12c6191406/IMG_0342.jpg" data-mid="184002010" border="0"  src="https://freight.cargo.site/w/1000/i/17cdea1976d63d0db675c91fe960e320bb22a5218a1cd16bc09d7d12c6191406/IMG_0342.jpg" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/34b422f0799dbc6261ed2f87140d893c42a7a8d7fa385847cb72002e97e2eb6d/IMG_0362.jpg" data-mid="186141914" border="0"  src="https://freight.cargo.site/w/1000/i/34b422f0799dbc6261ed2f87140d893c42a7a8d7fa385847cb72002e97e2eb6d/IMG_0362.jpg" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/e3ed7c7ddf3cff41342b27f97923f82cea9c994bc22feace67dc14d09a4a4688/IMG_0326.jpg" data-mid="186141904" border="0"  src="https://freight.cargo.site/w/1000/i/e3ed7c7ddf3cff41342b27f97923f82cea9c994bc22feace67dc14d09a4a4688/IMG_0326.jpg" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/9ab3795d2bb835020eaa05c408d22a3d4f9d1a828cd545c2e8b9359b1dbc56bf/IMG_0333.jpg" data-mid="186141905" border="0"  src="https://freight.cargo.site/w/1000/i/9ab3795d2bb835020eaa05c408d22a3d4f9d1a828cd545c2e8b9359b1dbc56bf/IMG_0333.jpg" /&#62;





	Humor as a Design Practice&#38;nbsp;
	


	&#60;img width="5325" height="3184" width_o="5325" height_o="3184" data-src="https://freight.cargo.site/t/original/i/c09558051bda3cabbb7268b55355d652caac33030f19e59607c45b65fc5bc283/10-commandments-of-humor-in-design-1_Page_82-01.jpg" data-mid="184896846" border="0"  src="https://freight.cargo.site/w/1000/i/c09558051bda3cabbb7268b55355d652caac33030f19e59607c45b65fc5bc283/10-commandments-of-humor-in-design-1_Page_82-01.jpg" /&#62;
	



	A Serious Endeavor
	

	

Circling back to the most important outcome of this project. The ten commandments were created to become a framework and serve as a guide for designers looking to bring more humor into their work. It rethinks the Ten Principles for Good Design by Dieter Rams, and takes design out of the context of the industry. Laughter is contagious, it has the potential to break down barriers and bring people together. By using humor in design, we can create a more engaging and interesting world. 

	







	&#60;img width="1651" height="2476" width_o="1651" height_o="2476" data-src="https://freight.cargo.site/t/original/i/feb980b50eb3253317dab3fbedecc6a0fd42abfb96a1777a28319c198c50258f/DSCF3714-2.jpg" data-mid="186126284" border="0"  src="https://freight.cargo.site/w/1000/i/feb980b50eb3253317dab3fbedecc6a0fd42abfb96a1777a28319c198c50258f/DSCF3714-2.jpg" /&#62;
From the first 25 people to touch The Toaster-Typewriter
	

	The Research Continues
	

	

This research on humor is ongoing. I am continuously conducting micro experiments to test the humor in the everyday surroundings. Both, research and making, will be pursued through collaborations with other designers and non-designers. The form shown here is a waiting list filled out by people eager to have their texts or jokes typed onto bread. I intend on printing all of them. 

	





	&#60;img width="2731" height="4096" width_o="2731" height_o="4096" data-src="https://freight.cargo.site/t/original/i/23a6951587d3e700291e79602f6c13dc2364b918d9a8c282ffb94d1ab73bb60e/all-the-posters-02.jpg" data-mid="186126164" border="0"  src="https://freight.cargo.site/w/1000/i/23a6951587d3e700291e79602f6c13dc2364b918d9a8c282ffb94d1ab73bb60e/all-the-posters-02.jpg" /&#62;
	

	Humor Futures (or Pasts)
	

	

This project outlines how we can embed humor in our design process. This poster creates an alternate history where The Toaster-Typewriter existed decades earlier, forcing us to imagine: What would the world look like in the present if this was our past? This type of speculation is what this project was born out of and what this project aims to inspire. 


	



	&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/17cdea1976d63d0db675c91fe960e320bb22a5218a1cd16bc09d7d12c6191406/IMG_0342.jpg" data-mid="184002010" border="0"  src="https://freight.cargo.site/w/1000/i/17cdea1976d63d0db675c91fe960e320bb22a5218a1cd16bc09d7d12c6191406/IMG_0342.jpg" /&#62;


	REFERENCES
	



	

Research conducted under the guidance of thesis advisor, somatic researcher and professor- Ari Elefterin. Thank you for your unwavering support.&#38;nbsp;
Special thanks to all the interviewees for your collective insights on humor:&#38;nbsp;Allan Wexler, Anthony Dunne,&#38;nbsp;Brooke Barker,

John Murphy, Matthew Leabo, 

Nikki Bregman,&#38;nbsp;
Pani Farvid,

Peter Sim, 
Shubh Nanda,

Shubham Jumde, Tanya Kalmanovitch.&#38;nbsp; 
Gratitute to all the participants from The New School’s The Comedy Club Club for your hilarious sketches.&#38;nbsp;
Thank you technicians at the E4 metal and wood shops: Ting Lau, Damien Vera, Kat Nash, and Eva Warne. 
Thank you Hack Manhattan for welcoming me into your space, and especially Trek for all your feedback.&#38;nbsp;









Works Cited:

Apatow, Judd. I Found This Funny. San Francisco: McSweeney’s Books, 2011. 
Apatow, Judd. Sick in the Head: Conversations About Life and Comedy. London: Duckworth Overlook, 2017. 

Barker, Brooke. How Do Meerkats Order Pizza? S.l.: Simon &#38;amp;amp; Schuster Books, 2023. 

Birbiglia, Mike. “Mike Birbiglia's Working It Out”. Working It Out. 18 Episodes. Podcast audio, https://www.birbigs.com/working-it-out-pod

Chekhov, Michael, and Mel Gordon. On the Technique of Acting. New York: Harper Perennial, 1991. 

Comedians in Cars Getting Coffee with Jerry Seinfeld. 23 Episodes over 6 seasons, First aired, Crackle; 2012.
Dunne, Anthony, and Fiona Raby. Speculative Everything: Design, Fiction, and Social Dreaming. MIT PRESS, 2013. 
Gill, Kanan, and Manik D'Silva. “No New Notifications”. No New Notifications Podcast. 27 Episodes. Podcast audio, https://nonewnotifications.com/

Martin, Steve. Born Standing Up: A Comic’s Life. London: Pocket, 2008. 
Mathew, Abish. “Journey of a Joke”. Son of Abish. 16 Episodes. Podcast audio. https://youtu.be/BTouiD4arrk 
Perec, Georges. Species of Spaces and Other Pieces: Essays. London: Penguin Books, 1997. 
Rothenstein, Julian, and Andreĭ Kurkov. Everyday Play: A Campaign Against Boredom. St. Lawrence Terrace, London: Redstone Press, 2022. 
Rubin, Julia. “What’s so Funny?” Vox, December 19, 2022. https://www.vox.com/the-highlight/23495150/whats-so-funny. 
Rubin. Susan Goldman. Toilets, Toasters &#38;amp; Telephones. ‎Harcourt Children's Books,1998.
Shakespeare, William. Seven Ages of Man: From Shakespeare’s “As You Like It.” Nabu Press, 2010. 
Shepard, Dax, and Monica Padman. “Armchair Expert with Dax Shepard”. Armchair Expert. 5 episodes. Podcast audio. https://armchairexpertpod.com/

Thwaites, Thomas. The Toaster Project: Or a Heroic Attempt to Build a Simple Electric Appliance from Scratch. New York: Princeton Architectural Press, 2011. 

Volpe, Allie. “What’s so funny?”. Vox Unexplainable. Podcast audio, March 22, 2023. https://open.spotify.com/episode/0OM48F29XocyCRl8nUD8sw?si=mHiUJwFBQhKYQ9qSwFZTVA
Watsky, George. How to Ruin Everything: Essays. NY, NY: Plume, 2016. 






	


</description>
		
	</item>
		
		
	<item>
		<title>Edible To-Do</title>
				
		<link>https://ritikakedia.com/Edible-To-Do</link>

		<pubDate>Sun, 19 Mar 2023 22:02:24 +0000</pubDate>

		<dc:creator>Ritika</dc:creator>

		<guid isPermaLink="true">https://ritikakedia.com/Edible-To-Do</guid>

		<description>
	&#60;img width="6006" height="4160" width_o="6006" height_o="4160" data-src="https://freight.cargo.site/t/original/i/87b6909f1af17336c3c86d744e3792112eef9a585215ced81da47baaf7eca6a1/_MG_2214.jpg" data-mid="184868933" border="0"  src="https://freight.cargo.site/w/1000/i/87b6909f1af17336c3c86d744e3792112eef9a585215ced81da47baaf7eca6a1/_MG_2214.jpg" /&#62;

	Edible To-Do Lists
	

	

An exhaustive exploration of the eating of words. It references to the Islamic text Quran that encourages the faithful to “drink the Qu’ran”. Shown here are four out of twenty-five possible meals that the to-do list can turn into. They each provide extreme punishment-reward systems that act as containers for the brain. By performing the enlisted tasks, unclear if they are given by an external body or are self-assigned, the do-er is allowing the body to eat this text-etched food. It is food made from the brain for the body. 

	




	

Completion: 29 October 2022Duration: 2 weeks








	&#60;img width="1092" height="1564" width_o="1092" height_o="1564" data-src="https://freight.cargo.site/t/original/i/03b1602b51406d086a6d247f4a09b853ff1ae30514a45da4e89fb310b5b752c9/img001-copy.png" data-mid="172304181" border="0"  src="https://freight.cargo.site/w/1000/i/03b1602b51406d086a6d247f4a09b853ff1ae30514a45da4e89fb310b5b752c9/img001-copy.png" /&#62;
	&#60;img width="1950" height="1524" width_o="1950" height_o="1524" data-src="https://freight.cargo.site/t/original/i/20d2834d7e602ef0a461e0788477b90b7882203bc3decc03933d1c2109ef9b57/img006-copy.jpg" data-mid="172576044" border="0" data-scale="58" src="https://freight.cargo.site/w/1000/i/20d2834d7e602ef0a461e0788477b90b7882203bc3decc03933d1c2109ef9b57/img006-copy.jpg" /&#62;

	Research Question
	

	A to-do list is an act of urgently scribbling down, laboriously drafting, and tediously filling in. But how could the reward of crossing things off with a sharpie be exaggerated?




	





	SUCCESSFUL EXPLORATIONS
	

	
	

	&#60;img width="4035" height="4035" width_o="4035" height_o="4035" data-src="https://freight.cargo.site/t/original/i/96b2f48fd2f7d2a85e156cb5a2560eb012b65e53a8945e87b773eb7174b7e41e/_MG_1952.jpg" data-mid="209146418" border="0"  src="https://freight.cargo.site/w/1000/i/96b2f48fd2f7d2a85e156cb5a2560eb012b65e53a8945e87b773eb7174b7e41e/_MG_1952.jpg" /&#62;
	&#60;img width="3492" height="3492" width_o="3492" height_o="3492" data-src="https://freight.cargo.site/t/original/i/ddc365664ba897b1c2609b6219787efb8e608812e68e76e46a7f8029be495b72/_MG_2090.jpg" data-mid="209146419" border="0"  src="https://freight.cargo.site/w/1000/i/ddc365664ba897b1c2609b6219787efb8e608812e68e76e46a7f8029be495b72/_MG_2090.jpg" /&#62;

	&#60;img width="749" height="1124" width_o="749" height_o="1124" data-src="https://freight.cargo.site/t/original/i/6089f556e76de439a192348b54987f60bae1caa097a94ca22d64a9b21ca58aa6/gif-oranges.gif" data-mid="172304719" border="0" data-scale="100" src="https://freight.cargo.site/w/749/i/6089f556e76de439a192348b54987f60bae1caa097a94ca22d64a9b21ca58aa6/gif-oranges.gif" /&#62;
	


1. Edible to-do list: Fibrous
	


	

	

A portable pop-up book that turns into a place for you to rest your to-do oranges carefully while you complete a chore. Once the task is completed, the orange can be peeled and eaten.
The thing with oranges is that you can’t have just one. This craving for sweet and sour gives you that extra boost to start your next task.(Expiry: 2 weeks)


	










	&#60;img width="4160" height="4160" width_o="4160" height_o="4160" data-src="https://freight.cargo.site/t/original/i/158e559a29e1f0c33bc87a4686dc45bc7a99872284b12d6f7751e0c729cdeff0/_MG_2409-1.jpg" data-mid="209146422" border="0"  src="https://freight.cargo.site/w/1000/i/158e559a29e1f0c33bc87a4686dc45bc7a99872284b12d6f7751e0c729cdeff0/_MG_2409-1.jpg" /&#62;
	&#60;img width="3639" height="3639" width_o="3639" height_o="3639" data-src="https://freight.cargo.site/t/original/i/0276c2629c4ff1447c530e985c4716573f8e8914a45d1089695ebed1f07d0ccf/_MG_2410.jpg" data-mid="209146416" border="0"  src="https://freight.cargo.site/w/1000/i/0276c2629c4ff1447c530e985c4716573f8e8914a45d1089695ebed1f07d0ccf/_MG_2410.jpg" /&#62;

	&#60;img width="624" height="936" width_o="624" height_o="936" data-src="https://freight.cargo.site/t/original/i/aa4d3989a7a1949dc9f824290a786ab7b5eb1cc9d3939e3e65a8292789f026c9/gif-potato.gif" data-mid="172304695" border="0"  src="https://freight.cargo.site/w/624/i/aa4d3989a7a1949dc9f824290a786ab7b5eb1cc9d3939e3e65a8292789f026c9/gif-potato.gif" /&#62;
	

	

2. Edible to-do list: Carbs

	

	

Perishable carved letters made out of potatoes create a set of letters for all your to-do listing needs. All the letterpress letters, and furniture of all sizes and starch quantities are made from russet potatoes, locally sourced. The special purple ink is made from a mixture of raspberries and blackberries.

(Expiry: 4.5 hours)

	









	&#60;img width="5390" height="5390" width_o="5390" height_o="5390" data-src="https://freight.cargo.site/t/original/i/412590dc429aa9c88a66b7b1b4811fa39bfdb0794c8f987e36b7ed3f07e5babe/_MG_2328-copy-22.jpg" data-mid="209146415" border="0"  src="https://freight.cargo.site/w/1000/i/412590dc429aa9c88a66b7b1b4811fa39bfdb0794c8f987e36b7ed3f07e5babe/_MG_2328-copy-22.jpg" /&#62;
	&#60;img width="6299" height="6300" width_o="6299" height_o="6300" data-src="https://freight.cargo.site/t/original/i/1fb84a3e8ba02904a53fa2200cb17c7a729584e99830c772406dcfe7273eee83/_MG_2215-copy-2-2.jpg" data-mid="209146414" border="0"  src="https://freight.cargo.site/w/1000/i/1fb84a3e8ba02904a53fa2200cb17c7a729584e99830c772406dcfe7273eee83/_MG_2215-copy-2-2.jpg" /&#62;

	&#60;img width="624" height="936" width_o="624" height_o="936" data-src="https://freight.cargo.site/t/original/i/4e40e4df44d50791ffd7e003362073540071274915b8fb49b34ae8dea9623f2e/gif-bread.gif" data-mid="172304710" border="0"  src="https://freight.cargo.site/w/624/i/4e40e4df44d50791ffd7e003362073540071274915b8fb49b34ae8dea9623f2e/gif-bread.gif" /&#62;
	

	

3. Edible to-do list: Gluten
	

	


This one is for all gluten lovers. A spread of laser-engraved breads, in both multigrain and pita form. This to-do list is more versatile than the other options and can be customized to the cuisine of your liking. It is recommended to be eaten a few hours after coming out of the laser-engraving machine. For a more toasted result, add more tasks to your print file.

(Expiry: 6 days)



	






	&#60;img width="5270" height="5270" width_o="5270" height_o="5270" data-src="https://freight.cargo.site/t/original/i/8fbfb4e5fbe6f75b688902e5c91dc378df8a5cd3f0cdb0657abb6514ef0459f2/_MG_2328222.jpg" data-mid="209146417" border="0"  src="https://freight.cargo.site/w/1000/i/8fbfb4e5fbe6f75b688902e5c91dc378df8a5cd3f0cdb0657abb6514ef0459f2/_MG_2328222.jpg" /&#62;
	&#60;img width="4029" height="4029" width_o="4029" height_o="4029" data-src="https://freight.cargo.site/t/original/i/97d2bb53d0dce295104a4aeca991cb3978c9674e01727c98dff8717cb6c70dd5/_MG_2328.jpg" data-mid="209146420" border="0"  src="https://freight.cargo.site/w/1000/i/97d2bb53d0dce295104a4aeca991cb3978c9674e01727c98dff8717cb6c70dd5/_MG_2328.jpg" /&#62;

	&#60;img width="749" height="1124" width_o="749" height_o="1124" data-src="https://freight.cargo.site/t/original/i/f8c2cc7ac20d6f1ed28a051c2b10d793825a009314749465d86a211ab6c7c2fe/gif-bagel.gif" data-mid="172304696" border="0"  src="https://freight.cargo.site/w/749/i/f8c2cc7ac20d6f1ed28a051c2b10d793825a009314749465d86a211ab6c7c2fe/gif-bagel.gif" /&#62;
	


	

4. Edible to-do list: New York Style Bagel
	

	

An everything bagel with cream cheese that sits on your table all day to be eaten. At the end of a productive day, the cardboard nutrients can be added for a balanced meal. One piece is permitted for each task listed and accomplished.
 
(Expiry: 24 hours)




	




	

PROCESS DOCUMENTATION
	


	


&#60;img width="450" height="338" width_o="450" height_o="338" data-src="https://freight.cargo.site/t/original/i/247bfbfb041430cede75295ab44399063cecc96eb044b6a0326ed4a8d4fd8e5d/ezgif.com-optimize-9.gif" data-mid="185044675" border="0"  src="https://freight.cargo.site/w/450/i/247bfbfb041430cede75295ab44399063cecc96eb044b6a0326ed4a8d4fd8e5d/ezgif.com-optimize-9.gif" /&#62;
&#60;img width="1824" height="2432" width_o="1824" height_o="2432" data-src="https://freight.cargo.site/t/original/i/9fd05193b775e360ee8c652eb4195fa98450bdeef7cec553a9cea5b13f2b2a7f/IMG_20221026_175802-2.jpg" data-mid="172304174" border="0"  src="https://freight.cargo.site/w/1000/i/9fd05193b775e360ee8c652eb4195fa98450bdeef7cec553a9cea5b13f2b2a7f/IMG_20221026_175802-2.jpg" /&#62;


	Getting Known as “The Bread Girl” at the Laser Lab
	

	This project could not have been possible without the lack of hesitation shown by the technicians at the Laser Lab at Parsons. I walked with a humble packet of multigrain bread and asked if I could put it under the laser cutting machine. They said “yes, but use the cardboard guidelines”, in the absence of a dedicated bread setting. The whole lab smelled like burned toast. It was amazing. 


	









	&#60;img width="1990" height="1705" width_o="1990" height_o="1705" data-src="https://freight.cargo.site/t/original/i/84619ab287d5f44dfd9ea2e2f870451810e7f7eef987a23d988ee89b06ebc4a2/IMG_20221020_143339.jpg" data-mid="172304172" border="0"  src="https://freight.cargo.site/w/1000/i/84619ab287d5f44dfd9ea2e2f870451810e7f7eef987a23d988ee89b06ebc4a2/IMG_20221020_143339.jpg" /&#62;&#60;img width="1200" height="675" width_o="1200" height_o="675" data-src="https://freight.cargo.site/t/original/i/e513e79891f6e4186d5cb72c27cc6a7133e0ea5e07bccfa0c873c92e86566696/ezgif.com-gif-maker-5.gif" data-mid="185045253" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/e513e79891f6e4186d5cb72c27cc6a7133e0ea5e07bccfa0c873c92e86566696/ezgif.com-gif-maker-5.gif" /&#62;
	

	Other Ways of Consuming Words
	

	



The collection of tangible edibles mentioned here is just a fraction of an ever-evolving larger speculation. Among these concepts, certain ideas demand scientific backing, such as idea number 21, a genetically modified banana capable of storing a to-do list within its DNA. Others need months of time, like idea number 6, which involves tattooing the tasks onto the tongue and employing pavlovian conditioning to establish a connection between taste and task.


	




	EXHIBITED AT HOLD A SPACE FOR ME&#38;nbsp;
	



	Exhibited as part of the show Sobre Mesa,&#38;nbsp;the limbo between a shared meal and the day’s rest. Curated by Vedika Modi and Jimena Muguiro.

Sobre Mesa, Hold a Space for Me
New York City18 November 2022


	

	
&#60;img width="3620" height="2400" width_o="3620" height_o="2400" data-src="https://freight.cargo.site/t/original/i/a312e73f11fa66d2f3f54e34f6f7b563b56e8bd6fd37b236b1eeeee90c47d6d4/000011130022.jpg" data-mid="172304149" border="0"  src="https://freight.cargo.site/w/1000/i/a312e73f11fa66d2f3f54e34f6f7b563b56e8bd6fd37b236b1eeeee90c47d6d4/000011130022.jpg" /&#62;
&#60;img width="3620" height="2400" width_o="3620" height_o="2400" data-src="https://freight.cargo.site/t/original/i/ef7cfc2717514432465f9579edff5ac18a4314c6225f06f4a844bd19455c4cd1/000011120037-2.jpg" data-mid="172304148" border="0"  src="https://freight.cargo.site/w/1000/i/ef7cfc2717514432465f9579edff5ac18a4314c6225f06f4a844bd19455c4cd1/000011120037-2.jpg" /&#62;
&#60;img width="3620" height="2400" width_o="3620" height_o="2400" data-src="https://freight.cargo.site/t/original/i/732c9c702810d9a887615acabbbb9db15c2805e0d31a32bc5bf55eee8e5866f1/000011140032.jpg" data-mid="172304157" border="0"  src="https://freight.cargo.site/w/1000/i/732c9c702810d9a887615acabbbb9db15c2805e0d31a32bc5bf55eee8e5866f1/000011140032.jpg" /&#62;
&#60;img width="3620" height="2400" width_o="3620" height_o="2400" data-src="https://freight.cargo.site/t/original/i/5c10c5827214e0b6a887c9c34988acbaae19d07f3579e3cf37ba04c09a0ee86f/000011140021.jpg" data-mid="172304155" border="0"  src="https://freight.cargo.site/w/1000/i/5c10c5827214e0b6a887c9c34988acbaae19d07f3579e3cf37ba04c09a0ee86f/000011140021.jpg" /&#62;




	REFERENCES
	



	





Research conducted under the guidance of  award-winning designer and architect, 

Allan Wexler. Author of Absurd Thinking: Between Art and Design.





Works Cited:





	



&#60;img width="1824" height="1824" width_o="1824" height_o="1824" data-src="https://freight.cargo.site/t/original/i/08ec0d1c3420afb13694411a27eb07bf631f8daa6b2846f4fef9edcca5f01776/IMG_20221015_201910-2.jpg" data-mid="185047382" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/08ec0d1c3420afb13694411a27eb07bf631f8daa6b2846f4fef9edcca5f01776/IMG_20221015_201910-2.jpg" /&#62;Inspiration: Kameelah Janan Rasheed’s lecture at the Center for Book Arts in New York.
Pollan, Michael. The Botany of Desire: A plant’s eye view of the world. Random House, 2014. 

Rasheed, Kameelah. “Keynote by Kameelah Janan Rasheed.” Lecture presented at the Contemporary Artists’ Books Conference (CABC), Re-Envisioning Artists’ Book Visibility, October 17, 2022. 

Usher, Shaun. Lists of note: An eclectic collection deserving of a wider audience. Chronicle Books, 2015. 

Ware, Rudolph. “In Praise of the Intercessor: Mawāhib al-Nāfiʿ Fī Madāʾiḥ al-Shāfiʿ by Amadu Bamba Mbacké (1853–1927).” Islamic Africa 4, no. 2 (2013): 225–48. 


	
</description>
		
	</item>
		
		
	<item>
		<title>Forty-Two Street Friends</title>
				
		<link>https://ritikakedia.com/Forty-Two-Street-Friends</link>

		<pubDate>Sun, 19 Mar 2023 22:02:24 +0000</pubDate>

		<dc:creator>Ritika</dc:creator>

		<guid isPermaLink="true">https://ritikakedia.com/Forty-Two-Street-Friends</guid>

		<description>
	&#60;img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/8bfd1ef60b654929c0601490be3eb9a2ac7b80b77cb16ddd1b76e37c07d571dc/IMG_7736-2-copy-web1-2.jpg" data-mid="175984597" border="0"  src="https://freight.cargo.site/w/1000/i/8bfd1ef60b654929c0601490be3eb9a2ac7b80b77cb16ddd1b76e37c07d571dc/IMG_7736-2-copy-web1-2.jpg" /&#62;
	&#60;img width="4115" height="5144" width_o="4115" height_o="5144" data-src="https://freight.cargo.site/t/original/i/067e40e0293b46d0fafec0335c9a8461194ad8c3565aa87880aa2d9afc692147/IMG_7622.jpg" data-mid="172306769" border="0"  src="https://freight.cargo.site/w/1000/i/067e40e0293b46d0fafec0335c9a8461194ad8c3565aa87880aa2d9afc692147/IMG_7622.jpg" /&#62;


	

Forty-Two Street Friends


	

	





What happens when 42 strangers leave you gifts in the streets of New York City? Naively mistaken as trash by most, this library rescues these precious artifacts. The light bulb acts as an investigative tool to extract the narratives from these objects - to know who left them and why they left them specifically for me to find. 



	











Completion: 14 October 2022Duration: 3 weeks






	
&#60;img width="800" height="991" width_o="800" height_o="991" data-src="https://freight.cargo.site/t/original/i/4f7f0aadbf023aae24d6180b179dedb9cba8d1964041bb6106fdf85c2bbe8f00/ezgif.com-gif-maker-2.gif" data-mid="172306745" border="0" data-scale="100" src="https://freight.cargo.site/w/800/i/4f7f0aadbf023aae24d6180b179dedb9cba8d1964041bb6106fdf85c2bbe8f00/ezgif.com-gif-maker-2.gif" /&#62;
	


	

The Lightbulb as a Tool


	


	

	

The lightbulb, a staple household component, is the central element of this library. One standard LED is used to find narratives hidden behind abandoned trash objects, inviting exploration and reflection. The trash is transformed into a source of intrigue, as 42 items reveal their history and significance. Through the simple act of illumination, the lightbulb becomes a tool for storytelling, giving voice to the discarded.&#38;nbsp;

Which is very important in a world where all interpersonal relationships are made exclusively through people’s trash. 





	





	



&#60;img width="1885" height="2059" width_o="1885" height_o="2059" data-src="https://freight.cargo.site/t/original/i/24ee329be5795f0d9ba266a858fff2f85fc471c6f75d0b04b05081010fb9935c/lamp-grid-image-unlit-01-01.jpg" data-mid="172306814" border="0"  src="https://freight.cargo.site/w/1000/i/24ee329be5795f0d9ba266a858fff2f85fc471c6f75d0b04b05081010fb9935c/lamp-grid-image-unlit-01-01.jpg" /&#62;
	





	&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/4532fac5561d4e0842263c571b3f1ab50eea2ce83571badbe171461f9ff804ec/ezgif.com-gif-maker-2.gif" data-mid="183769660" border="0" data-scale="73" src="https://freight.cargo.site/w/800/i/4532fac5561d4e0842263c571b3f1ab50eea2ce83571badbe171461f9ff804ec/ezgif.com-gif-maker-2.gif" /&#62;

	Process of Object Collection
	



	



A 20 minute walk down 14th street was sufficient. An attempt was made to gather objects that were unique to each other and found in different spots to ensure I was meeting all new people. Each object was carefully rescued with the use of surgical gloves. None of the pieces were damaged in any way, all their irregularities and dirt preserved.

	




	


	&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/780c326e934cf06c15e8b9f3695db87fd708e6271869fe23e615bcebb00eab19/ezgif.com-gif-maker-6.gif" data-mid="183770083" border="0"  src="https://freight.cargo.site/w/800/i/780c326e934cf06c15e8b9f3695db87fd708e6271869fe23e615bcebb00eab19/ezgif.com-gif-maker-6.gif" /&#62;
	&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/5479a8ba6b7af1a0b5028716c0b451a345917d1a7c4296e2f104bc7e1fc69893/ezgif.com-gif-maker-5.gif" data-mid="183770084" border="0"  src="https://freight.cargo.site/w/800/i/5479a8ba6b7af1a0b5028716c0b451a345917d1a7c4296e2f104bc7e1fc69893/ezgif.com-gif-maker-5.gif" /&#62;
	&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/74f4a971c8d1c7fe550f5bade53b10c7310f8f2d573b1c86369c2bd4d33677a2/ezgif.com-gif-maker-3.gif" data-mid="183770085" border="0"  src="https://freight.cargo.site/w/800/i/74f4a971c8d1c7fe550f5bade53b10c7310f8f2d573b1c86369c2bd4d33677a2/ezgif.com-gif-maker-3.gif" /&#62;
	&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d5369ed2f178d4cdb73db0f433be2420c68bf42b5d863eeb208cc69ddf72e862/ezgif.com-gif-maker-4.gif" data-mid="183770086" border="0"  src="https://freight.cargo.site/w/800/i/d5369ed2f178d4cdb73db0f433be2420c68bf42b5d863eeb208cc69ddf72e862/ezgif.com-gif-maker-4.gif" /&#62;

	Valid Clues
	

	

Each object is tagged with a friend number; for example, the New Yorker Cat Cartoons book is friend #22. In no way do the numbers assimilate any ranking or hierarchy. The color, form and intensity of the light emitted, or sometimes the lack of light, are all valid clues to tell you more about your new friend.




	




	&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/acbb3e11bbee7a0d718d16e58fd062cec86b2492e50298c15e0b59ab334828b2/IMG_3144-1.jpg" data-mid="172306761" border="0"  src="https://freight.cargo.site/w/1000/i/acbb3e11bbee7a0d718d16e58fd062cec86b2492e50298c15e0b59ab334828b2/IMG_3144-1.jpg" /&#62;
	&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/18e1c41f3af6643c744d500ea5ab6f75d61802b5e47edfa8b28de09ba6d2142e/IMG_7559.jpg" data-mid="172306766" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/18e1c41f3af6643c744d500ea5ab6f75d61802b5e47edfa8b28de09ba6d2142e/IMG_7559.jpg" /&#62;
	&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/d19e8fa37768ee591b2df4152e09a12de3027c51706be57e3f62aca4f6e77eb1/IMG_3143-1.jpg" data-mid="172306760" border="0"  src="https://freight.cargo.site/w/1000/i/d19e8fa37768ee591b2df4152e09a12de3027c51706be57e3f62aca4f6e77eb1/IMG_3143-1.jpg" /&#62;


	Questions to Consider
	



	What kind of a relationship are they seeking by leaving me this three legged toy giraffe?

By recommending the Trader Joe’s coconut milk, are they suggesting we meet up there?

Could a used blue surgical glove mean they had a very difficult day at the ER and need to watch a movie?

Why was I compelled to pick up handwritten physics notes rather than the Capital One envelope right next to it?


	








	&#60;img width="960" height="1200" width_o="960" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b1206407f4eb20142e61d4f777aa0dea6b6a8dd0973bebe304ef0deb5c5f0ff9/ezgif.com-gif-maker-1.gif" data-mid="183768423" border="0"  src="https://freight.cargo.site/w/960/i/b1206407f4eb20142e61d4f777aa0dea6b6a8dd0973bebe304ef0deb5c5f0ff9/ezgif.com-gif-maker-1.gif" /&#62;


	
	

	Forty-Two Friends
	

	

Forty-Two Street Friends is about the celebration of trash in New York City, as a last resort to cope with the glum realities. It builds on the existing curiosities of “where does all this trash come from” and further speculates which individuals leave it there. So far I have made 42 one-sided friendships, but I’m sure at a landfill in Malaysia or a beach in India, the west’s dumping ground, I can make a million more. 




	



	&#60;img width="5547" height="4160" width_o="5547" height_o="4160" data-src="https://freight.cargo.site/t/original/i/b94e01946054e108eafbcb27c50eb2a7e535b1e3fd2b2f069feaa8e2aeea34de/IMG_7771.jpg" data-mid="172306775" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b94e01946054e108eafbcb27c50eb2a7e535b1e3fd2b2f069feaa8e2aeea34de/IMG_7771.jpg" /&#62;


	
REFERENCES
	



	

Research conducted under the guidance of award-winning designer and architect, 

 Allan Wexler. Author of Absurd Thinking: Between Art and Design.







Works Cited:


Chillag, Ian. “Vinny, Vending Machine”. Everything Is Alive. Season1, Episode 32. Radiotopia. September 22, 2021.



Harman, Graham. Tool-being: Heidegger and the Metaphyics of Objects. Chicago: Open Court, 2002.



Mars, Roman, and Kurt Kohlstedt. The 99% Invisible City: A field Guide to the Hidden World of Everyday Design. Boston: Houghton Mifflin Harcourt, 2020. 



Visit to Mmuseumm, a modern natural history museum located in lower Manhattan in New York City, dedicated to "Object Journalism”.

	

</description>
		
	</item>
		
		
	<item>
		<title>Broom Research</title>
				
		<link>https://ritikakedia.com/Broom-Research</link>

		<pubDate>Sun, 19 Mar 2023 22:02:25 +0000</pubDate>

		<dc:creator>Ritika</dc:creator>

		<guid isPermaLink="true">https://ritikakedia.com/Broom-Research</guid>

		<description>
	&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/4a4e7539bc2e51eb39a7b726760de4fef8f6e7f7e8316c4e93e31db4d18fa325/_MG_1417.jpg" data-mid="172308019" border="0"  src="https://freight.cargo.site/w/1000/i/4a4e7539bc2e51eb39a7b726760de4fef8f6e7f7e8316c4e93e31db4d18fa325/_MG_1417.jpg" /&#62;


Broom Research

	





A proposal for a research project that studies the act of sweeping. This project is an experiment in taking industrial design research methodologies into everyday life. An apparatus is devised from a broom with measuring and testing abilities to conduct data-generating experiments to investigate the best possible conditions required for cleaning.&#38;nbsp;


	

Completion: 19 September 2022Duration: 2 Weeks


	PHASE 1: APPARATUS
	


	
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/c99ca5d8536581f7e3dd336187d3bba6af243411cd9feb9cda0642cfbc3caff0/_MG_1499.jpg" data-mid="172308020" border="0"  src="https://freight.cargo.site/w/1000/i/c99ca5d8536581f7e3dd336187d3bba6af243411cd9feb9cda0642cfbc3caff0/_MG_1499.jpg" /&#62;




	Broom Hunting at Home Depot
	

	

The creation of this tool began with a modest acquisition—a $15 broom procured from Home Depot. Finding the perfect broom meant that it could be altered and tampered with without losing the essence of “broomness.”
	


	
&#60;img width="480" height="360" width_o="480" height_o="360" data-src="https://freight.cargo.site/t/original/i/b5a485dcbe54c06dd19ecb9f0b93498f422cd1243b83c906906d622565d392a8/hqdefault.jpg" data-mid="184244579" border="0"  src="https://freight.cargo.site/w/480/i/b5a485dcbe54c06dd19ecb9f0b93498f422cd1243b83c906906d622565d392a8/hqdefault.jpg" /&#62;
&#60;img width="1593" height="1936" width_o="1593" height_o="1936" data-src="https://freight.cargo.site/t/original/i/b2b2b26dc88272db93a143d9297e940736c74dd9f2386a009b7030580f8e5ee9/IMG_20220908_101025-2.jpg" data-mid="183993413" border="0"  src="https://freight.cargo.site/w/1000/i/b2b2b26dc88272db93a143d9297e940736c74dd9f2386a009b7030580f8e5ee9/IMG_20220908_101025-2.jpg" /&#62;







	Retrofitting Measuring Devices
	


	

The broom is transfigured into the apparatus by making the broom itself modular and by the addition of other tools becoming a part of this new device. It is only at this stage of the process that the experiment can be devised. 


	


	

	


	



	&#60;img width="2432" height="1824" width_o="2432" height_o="1824" data-src="https://freight.cargo.site/t/original/i/fe04559fce8d22dde22ba11e9c4387e139f105d23bbfe2b5fdad86368ebfa17e/IMG_20220831_153014-2.jpg" data-mid="183993410" border="0"  src="https://freight.cargo.site/w/1000/i/fe04559fce8d22dde22ba11e9c4387e139f105d23bbfe2b5fdad86368ebfa17e/IMG_20220831_153014-2.jpg" /&#62;Cutting broom head with coping saw
	&#60;img width="2432" height="1824" width_o="2432" height_o="1824" data-src="https://freight.cargo.site/t/original/i/6845578c5a2aa9ece798e75d3f80a6ebd299f2ffa39b3a13413d7d2ca26def17/IMG_20220907_183337.jpg" data-mid="183993411" border="0"  src="https://freight.cargo.site/w/1000/i/6845578c5a2aa9ece798e75d3f80a6ebd299f2ffa39b3a13413d7d2ca26def17/IMG_20220907_183337.jpg" /&#62;

Testing height of sharpie vs. broom hair


	&#60;img width="2432" height="1824" width_o="2432" height_o="1824" data-src="https://freight.cargo.site/t/original/i/95fdad27fbd968691aeacb3245921ff848c9bdf62d72f642fdc147a88a283768/IMG_20220907_183431.jpg" data-mid="183993412" border="0"  src="https://freight.cargo.site/w/1000/i/95fdad27fbd968691aeacb3245921ff848c9bdf62d72f642fdc147a88a283768/IMG_20220907_183431.jpg" /&#62;

Finding ways to join two metal rods


	






	Inputted Variables
	

	

In order to control the different variables that are at play when one is sweeping, various measuring probes are engineered into the broom to calculate the factors that affect the way of sweeping and the conditions that are the result of the sweeping. 8 variables can be experimented with, creating a total of 56 possible research opportunities. 


	


	


	1. Height of broom stick
	

2. Number of hair bristles
	


	

3. Sweep stroke tracking sharpies
	

4. Time of cleanliness
	


	



	&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/9bfa572fae92573f99ad170de4227595672a1229cf6913bfcac8430f80d1dc33/_MG_1541.jpg" data-mid="172308029" border="0"  src="https://freight.cargo.site/w/1000/i/9bfa572fae92573f99ad170de4227595672a1229cf6913bfcac8430f80d1dc33/_MG_1541.jpg" /&#62;

	&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/debb657b3904bce2cdf70f0db064116777247648dea80627c5f54466bff191fb/_MG_1528.jpg" data-mid="172308026" border="0"  src="https://freight.cargo.site/w/1000/i/debb657b3904bce2cdf70f0db064116777247648dea80627c5f54466bff191fb/_MG_1528.jpg" /&#62;
	&#60;img width="3649" height="2433" width_o="3649" height_o="2433" data-src="https://freight.cargo.site/t/original/i/9954a8a368349c5f1edfc839404c0a7dd83f191417ce05286d6fa960969ae3c1/_MG_1549-2.jpg" data-mid="183979859" border="0"  src="https://freight.cargo.site/w/1000/i/9954a8a368349c5f1edfc839404c0a7dd83f191417ce05286d6fa960969ae3c1/_MG_1549-2.jpg" /&#62;
	&#60;img width="4942" height="3295" width_o="4942" height_o="3295" data-src="https://freight.cargo.site/t/original/i/ed407845d3129be2b32a30a9a6ccf88552cda529a5fede19213a6a78f09cf1c5/_MG_1511-2.jpg" data-mid="183979849" border="0"  src="https://freight.cargo.site/w/1000/i/ed407845d3129be2b32a30a9a6ccf88552cda529a5fede19213a6a78f09cf1c5/_MG_1511-2.jpg" /&#62;



	

5. Dust circle cutter




	

6. Dust circle vernier caliper




	

7. Gum scraper count keeper




	

8. Measuring Ruler Handle

	&#60;img width="3408" height="2272" width_o="3408" height_o="2272" data-src="https://freight.cargo.site/t/original/i/983db66369c2e571c8a4e44827a31f50312e2dec824b685bac47ab06ce0fbfc8/_MG_1523.jpg" data-mid="183979858" border="0"  src="https://freight.cargo.site/w/1000/i/983db66369c2e571c8a4e44827a31f50312e2dec824b685bac47ab06ce0fbfc8/_MG_1523.jpg" /&#62;
	&#60;img width="3446" height="2297" width_o="3446" height_o="2297" data-src="https://freight.cargo.site/t/original/i/a1fe845843b7a848807638de1261d7eca4d96487741a4d370610a39995ce86af/_MG_1519-1-2.jpg" data-mid="183979857" border="0"  src="https://freight.cargo.site/w/1000/i/a1fe845843b7a848807638de1261d7eca4d96487741a4d370610a39995ce86af/_MG_1519-1-2.jpg" /&#62;
	&#60;img width="2387" height="1591" width_o="2387" height_o="1591" data-src="https://freight.cargo.site/t/original/i/7c9c288060eab46303d40d647dea2ee1bf1a0f911cdb0990453f08adcd913ad9/_MG_1515-2.jpg" data-mid="183979854" border="0"  src="https://freight.cargo.site/w/1000/i/7c9c288060eab46303d40d647dea2ee1bf1a0f911cdb0990453f08adcd913ad9/_MG_1515-2.jpg" /&#62;
	&#60;img width="2306" height="1537" width_o="2306" height_o="1537" data-src="https://freight.cargo.site/t/original/i/e47cc05e421bd6731fba1251053293763fda754aae24f23f3c3480f36ade496b/_MG_15238.jpg" data-mid="183981403" border="0"  src="https://freight.cargo.site/w/1000/i/e47cc05e421bd6731fba1251053293763fda754aae24f23f3c3480f36ade496b/_MG_15238.jpg" /&#62;

	
	
	




	Final Apparatus
	

	

Challenging the sterile nature of standard scientific testing equipment, this brightly colored broom-turned-apparatus also defies the order of scientific reasoning by building apparatus before research objectives, by making before thinking.&#38;nbsp;


	


	

	&#60;img width="2148" height="1626" width_o="2148" height_o="1626" data-src="https://freight.cargo.site/t/original/i/e8e9b4e0cf28092cdac6b7100e73f4f3cfe38b34e60e87b2c734e0252d1e0052/IMG_20220911_170738-copy-2.jpg" data-mid="186051585" border="0"  src="https://freight.cargo.site/w/1000/i/e8e9b4e0cf28092cdac6b7100e73f4f3cfe38b34e60e87b2c734e0252d1e0052/IMG_20220911_170738-copy-2.jpg" /&#62;


	



	PHASE 2: EXPERIMENT
	

		


	Research Question
	

	

How does the pattern of sweeping, ie. the number or strokes, affect the area of the dust circle created given that all other variables are constant?&#38;nbsp;


Constants
Time of sweep = 40 seconds 
Height of broom handle =&#38;nbsp; 48in (maximum height)
Number of broom hair bristles = 30,000 (all available)


	


	&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/fd2e5c1f46a91595217615af94dba8d7c3f15c9ca69dd3e3240eae95f24e8e8b/ezgif.com-video-to-gif-4.gif" data-mid="184245400" border="0"  src="https://freight.cargo.site/w/600/i/fd2e5c1f46a91595217615af94dba8d7c3f15c9ca69dd3e3240eae95f24e8e8b/ezgif.com-video-to-gif-4.gif" /&#62;
Sharpies making their mark
	&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/3203ec4d6c2ecf4beab238f0f8413c731c35a13e349df162490621783ed4ed28/ezgif.com-video-to-gif-3.gif" data-mid="184244960" border="0"  src="https://freight.cargo.site/w/600/i/3203ec4d6c2ecf4beab238f0f8413c731c35a13e349df162490621783ed4ed28/ezgif.com-video-to-gif-3.gif" /&#62;
Circle of dust being released from the paper


	9 Samples Collected
	

	

The independent variable being the pattern of sweeping (tracked by orange and purple sharpies) and the dependent variable was the area of the circle of dust that would be collected at the end of each sweeping technique (cut out by a circle cutter, measured by a vernier caliper).


	



	&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/0cd580d02d38da0b8c36dc378198774618ee0340c8f1a64baf9a68147b4ac3aa/_MG_1387-1.jpg" data-mid="172308012" border="0"  src="https://freight.cargo.site/w/1000/i/0cd580d02d38da0b8c36dc378198774618ee0340c8f1a64baf9a68147b4ac3aa/_MG_1387-1.jpg" /&#62;
	&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/963abe5bbc1da73a8ac1f12fe4a0e4208145396ce2ed3f76c9e6da4862de4160/_MG_1388-2.jpg" data-mid="172308014" border="0"  src="https://freight.cargo.site/w/1000/i/963abe5bbc1da73a8ac1f12fe4a0e4208145396ce2ed3f76c9e6da4862de4160/_MG_1388-2.jpg" /&#62;
	&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/a34231b1f11ad92297ff4603d4fe9ba9b070c03964c3a56e2cb435d4c1c0a429/_MG_1398.jpg" data-mid="172308015" border="0"  src="https://freight.cargo.site/w/1000/i/a34231b1f11ad92297ff4603d4fe9ba9b070c03964c3a56e2cb435d4c1c0a429/_MG_1398.jpg" /&#62;
	&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/a7e1b32a6ea047e7c6b6439d3da53b64c46efd59226fd6deb3aa177168a53d82/_MG_1356.jpg" data-mid="172308011" border="0"  src="https://freight.cargo.site/w/1000/i/a7e1b32a6ea047e7c6b6439d3da53b64c46efd59226fd6deb3aa177168a53d82/_MG_1356.jpg" /&#62;

	&#60;img width="3243" height="1824" width_o="3243" height_o="1824" data-src="https://freight.cargo.site/t/original/i/7afab5dcc9557083302436485d5b6b790c4334a0b299516866b1551395a8f00f/IMG_20220911_185622.jpg" data-mid="172308275" border="0"  src="https://freight.cargo.site/w/1000/i/7afab5dcc9557083302436485d5b6b790c4334a0b299516866b1551395a8f00f/IMG_20220911_185622.jpg" /&#62;
Before
	&#60;img width="3243" height="1824" width_o="3243" height_o="1824" data-src="https://freight.cargo.site/t/original/i/2d07b9c7d8ed7caacfb8a54a1b475adb396596aef2abfabc72d805f66d77af1e/IMG_20220911_190209.jpg" data-mid="172308276" border="0"  src="https://freight.cargo.site/w/1000/i/2d07b9c7d8ed7caacfb8a54a1b475adb396596aef2abfabc72d805f66d77af1e/IMG_20220911_190209.jpg" /&#62;
After



	PHASE 3: RESULTS
	

	&#60;img width="5692" height="5628" width_o="5692" height_o="5628" data-src="https://freight.cargo.site/t/original/i/733f2c981b056ed49c9c1b185cd8cb7575d2d9d5b246e5967e760bd48876b56a/broom-result-grid-02-01.jpg" data-mid="183986710" border="0"  src="https://freight.cargo.site/w/1000/i/733f2c981b056ed49c9c1b185cd8cb7575d2d9d5b246e5967e760bd48876b56a/broom-result-grid-02-01.jpg" /&#62;
	&#60;img width="1196" height="1200" width_o="1196" height_o="1200" data-src="https://freight.cargo.site/t/original/i/a371c252f26693dbb5e960ba5054f8525269701cfbac88c97ede905d22fde071/ezgif.com-gif-maker-11.gif" data-mid="183986652" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/a371c252f26693dbb5e960ba5054f8525269701cfbac88c97ede905d22fde071/ezgif.com-gif-maker-11.gif" /&#62;
	




	Results
	

	The prediction was obvious, the more number of strokes the smaller the circle, as the dust is being pushed repetitively into one spot. However, this wasn’t the case. Let’s take data set number 2, where the dust was too spread out and no dust circle was formed even though there are multiple marks on the paper. 

	

	&#60;img width="2659" height="1662" width_o="2659" height_o="1662" data-src="https://freight.cargo.site/t/original/i/af6cea67d1dacb2a5be77bfd960cbb141baf03be80b9f057bee3de2c84094e99/IMG20230721222003-2.jpg" data-mid="185728791" border="0"  src="https://freight.cargo.site/w/1000/i/af6cea67d1dacb2a5be77bfd960cbb141baf03be80b9f057bee3de2c84094e99/IMG20230721222003-2.jpg" /&#62;
	





	Analysis &#38;amp; Final Conclusions
	

	



An interesting correlation was forcibly formed. There are three different levels which form three perfect straight lines. This tells us that when the number of strokes is between 0 and 25 the dust circle is linearly increasing, however as you approach 30 strokes, the circle shrinks considerably (number 4 can be considered an anomaly). The top-most line tells us that are the number of strokes surpasses 40, the area of the dust circle does not exceed 20in2. 


	


	&#60;img width="2272" height="1515" width_o="2272" height_o="1515" data-src="https://freight.cargo.site/t/original/i/3fbcc0f353dbd5180ccc91210246f72497be114790326b9d88dc2d091bffdcee/IMG20230721221813-2.jpg" data-mid="185728790" border="0"  src="https://freight.cargo.site/w/1000/i/3fbcc0f353dbd5180ccc91210246f72497be114790326b9d88dc2d091bffdcee/IMG20230721221813-2.jpg" /&#62;
	



	Research for Research’s Sake
	

	

Creating data for the ordinary tasks of every day is something design researchers do as an integral part of their job to understand their target consumers’ behaviors and needs. This project reorganizes that order, says “what if we were looking at it upside down all this time?”. The data is created without any goal in mind, and the uses for the data collected is meant to only come afterwards. 


	




	
&#60;img width="945" height="1200" width_o="945" height_o="1200" data-src="https://freight.cargo.site/t/original/i/47e53f45c82841b6e720fdd6bd97fbfe81122eeb1b3071e54ae043be6d179d20/The-Georgia-Negro.jpg" data-mid="172308279" border="0"  src="https://freight.cargo.site/w/945/i/47e53f45c82841b6e720fdd6bd97fbfe81122eeb1b3071e54ae043be6d179d20/The-Georgia-Negro.jpg" /&#62;
&#60;img width="815" height="1024" width_o="815" height_o="1024" data-src="https://freight.cargo.site/t/original/i/8c4a1e5deb0fcc8a2f22656e6b5219a43662065740ae3aaf28f4ba50331de9db/33873a-copy-815x1024.jpg" data-mid="172308171" border="0"  src="https://freight.cargo.site/w/815/i/8c4a1e5deb0fcc8a2f22656e6b5219a43662065740ae3aaf28f4ba50331de9db/33873a-copy-815x1024.jpg" /&#62;
&#60;img width="881" height="1024" width_o="881" height_o="1024" data-src="https://freight.cargo.site/t/original/i/539c1d9e37db30995577a99914cccde3dcea9ae8f0b9a28a095e77595abee234/African-American-Photographs-Assembled-for-1900-Paris-Exposition-5.jpg" data-mid="172308177" border="0"  src="https://freight.cargo.site/w/881/i/539c1d9e37db30995577a99914cccde3dcea9ae8f0b9a28a095e77595abee234/African-American-Photographs-Assembled-for-1900-Paris-Exposition-5.jpg" /&#62;
&#60;img width="1802" height="2286" width_o="1802" height_o="2286" data-src="https://freight.cargo.site/t/original/i/1b771b8b2c516c1a95e21603cf7c6107848e3db0fe2453dd7393b7f9d5d9db39/WEB-Du-Bois-infographics-1.jpg" data-mid="172308280" border="0"  src="https://freight.cargo.site/w/1000/i/1b771b8b2c516c1a95e21603cf7c6107848e3db0fe2453dd7393b7f9d5d9db39/WEB-Du-Bois-infographics-1.jpg" /&#62;

	

	

W. E. B. Du Bois's Data Portraits: Visualizing Black America



	
&#60;img width="328" height="450" width_o="328" height_o="450" data-src="https://freight.cargo.site/t/original/i/a06551c8e1a726292012ba7acd7259fcfc7f15b9c9b1c0667e7b3dc534c97ebc/1423a6ee72f9c9d9c428082c5dbe9abb-1719.jpg" data-mid="185731376" border="0"  src="https://freight.cargo.site/w/328/i/a06551c8e1a726292012ba7acd7259fcfc7f15b9c9b1c0667e7b3dc534c97ebc/1423a6ee72f9c9d9c428082c5dbe9abb-1719.jpg" /&#62;
&#60;img width="800" height="547" width_o="800" height_o="547" data-src="https://freight.cargo.site/t/original/i/7703c5e95a6ab2c4342ad5351f0b641651a8797494a365062234b1cccc73294b/the-big-book-of-peeing_pics2.jpg" data-mid="185731113" border="0"  src="https://freight.cargo.site/w/800/i/7703c5e95a6ab2c4342ad5351f0b641651a8797494a365062234b1cccc73294b/the-big-book-of-peeing_pics2.jpg" /&#62;
&#60;img width="800" height="547" width_o="800" height_o="547" data-src="https://freight.cargo.site/t/original/i/516c9ca9495c6dc6f77cc829935eb078660179f0ad060108ef4db0b6138d7198/the-big-book-of-peeing_pics1.jpg" data-mid="185731114" border="0"  src="https://freight.cargo.site/w/800/i/516c9ca9495c6dc6f77cc829935eb078660179f0ad060108ef4db0b6138d7198/the-big-book-of-peeing_pics1.jpg" /&#62;


	



	Jakub Plachý’s The Big Book of Peeing

	Further Explorations
	

	Two very different sources came to mind when doing this project. The collection by Du Bois uses a mix of eccentric or specific facts like ‘value of household and kitchen furniture’ owned by African-Americans in Georgia in the 80’s to speak about the state of racial progress in the country. The other piece of fantastic visualization of research is Plachý’s book on peeing. The research points out many problems around public hygiene, the key being the lack of public toilets in the Czech Republic. Both are very important representatives of how data and the organization of it can bring humor and radical change to the world. 


	









	&#60;img width="6095" height="3848" width_o="6095" height_o="3848" data-src="https://freight.cargo.site/t/original/i/4e10c1a73bb592e1cd93ec56344286bc231f6c106a78b2b45da77b94c1ec7ddd/_MG_1557.jpg" data-mid="172308033" border="0"  src="https://freight.cargo.site/w/1000/i/4e10c1a73bb592e1cd93ec56344286bc231f6c106a78b2b45da77b94c1ec7ddd/_MG_1557.jpg" /&#62;

	REFERENCES
	



	Research conducted under the guidance of&#38;nbsp;award-winning designer and architect,

 Allan Wexler. Author of Absurd Thinking: Between Art and Design.





Works Cited:









Bök, Christian. Pataphysics: The Poetics of an Imaginary Science. Evanston, IL: Northwestern University Press, 2002. 

Bois , W. E. B. Du. “Data Visualization, ‘City and Rural Population. 1890, 1900;” Atlanta, Georgia, USA: Library of Congress Prints and Photographs Division, 1900. Cooper Hewitt. New York. 

Plachý, Jakub, Anna Lordan, and Andrew Lass. The big Book of Peeing. Labyrint, 2015.

Sachs, Tom. "Spaceships." October 7, 2023. Acquavella Gallery, New York.



	 







</description>
		
	</item>
		
		
	<item>
		<title>Inflatable Picnics</title>
				
		<link>https://ritikakedia.com/Inflatable-Picnics</link>

		<pubDate>Sun, 19 Mar 2023 22:02:25 +0000</pubDate>

		<dc:creator>Ritika</dc:creator>

		<guid isPermaLink="true">https://ritikakedia.com/Inflatable-Picnics</guid>

		<description>
	&#60;img width="2736" height="1656" width_o="2736" height_o="1656" data-src="https://freight.cargo.site/t/original/i/46fbb7453cc0e9d4e42b2b17897e6e2f5b90f6a4c0997445984b8ac27ce8e0a2/Untitled-4.jpg" data-mid="172576275" border="0"  src="https://freight.cargo.site/w/1000/i/46fbb7453cc0e9d4e42b2b17897e6e2f5b90f6a4c0997445984b8ac27ce8e0a2/Untitled-4.jpg" /&#62;


	Inflatable Picnic Baskets
	

	





There will be a time in the future when we will have to reinterpret the fables and folktales we have known for thousands of years, taking away renewed lessons relative to the context of the future. How will the stories transform? Unable to relate to the moral rules of the present or past, we might have to rewrite some of them. The two picnic baskets are imagined and fabricated as satirical responses to the rewriting of The Ant &#38;amp; The Grasshopper, one of the millenia-old stories from Aesop’s Fables, as a love story.



	

Completion: 12 May 2022Duration: 3 weeks








	
&#60;img width="260" height="332" width_o="260" height_o="332" data-src="https://freight.cargo.site/t/original/i/8dca699aa552d8ec60f0dbd2b890ff70bbcdd471ad58fce49e5c24432b491b84/51Yh-wT2C3L._SX258_BO1-204-203-200_.jpg" data-mid="185935795" border="0"  src="https://freight.cargo.site/w/260/i/8dca699aa552d8ec60f0dbd2b890ff70bbcdd471ad58fce49e5c24432b491b84/51Yh-wT2C3L._SX258_BO1-204-203-200_.jpg" /&#62;
&#60;img width="380" height="335" width_o="380" height_o="335" data-src="https://freight.cargo.site/t/original/i/305fd7fc57cc2ce1c3a9a2f3c631eb89bf853a0141d5a87f2948a63ec3f025b2/the-ants-and-the-grasshopper.jpg" data-mid="184313070" border="0"  src="https://freight.cargo.site/w/380/i/305fd7fc57cc2ce1c3a9a2f3c631eb89bf853a0141d5a87f2948a63ec3f025b2/the-ants-and-the-grasshopper.jpg" /&#62;


	Aesop’s Fable: The Ant &#38;amp; The Grasshopper
	

	

The original story of The Ant &#38;amp; The Grasshopper is simple. The ant spends the summer collecting grains while the grasshopper makes music. When winter comes, the grasshopper has no food stored. Hungry, it goes to the ant to beg for a bite, but the ant refuses saying “Making music were you? Now Dance!”. The story ends with these italicized words “There is a time for work and a time for play.”

	









	
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	What If It Was A Love Story?
	

	In this utopian version, the fable reads a love story of the ant and the grasshopper. Both creatures embrace their roles, the ant performs acts of service and manual labor to show her love, while the grasshopper brings joy and motivation through music. The mutual admiration and respect as they fulfill their roles without question or shame, showcases the interdependence and transactionality that is inherent to the human experience. 


	








	Inflatable Picnic Baskets
	

	



A picnic is an event where a prepared meal is shared among friends, but what happens when this leisure activity becomes a rubric for human interdependence? Two picnic ‘baskets’ are crafted to tell the story of the ant and the grasshopper. Stripping away the anthropomorphization from the fable, the characters and the clear plastic baskets assume dead-pan personas in the middle of a crowded park.&#38;nbsp; 


	





	&#60;img width="3515" height="2343" width_o="3515" height_o="2343" data-src="https://freight.cargo.site/t/original/i/45d540149bf8fec39ac1a5d664aec7895204057295b88c9f105d175db8e4b52c/IMG_20220503_161001.jpg" data-mid="186015558" border="0"  src="https://freight.cargo.site/w/1000/i/45d540149bf8fec39ac1a5d664aec7895204057295b88c9f105d175db8e4b52c/IMG_20220503_161001.jpg" /&#62;

A) PICNIC FOR TWO
	

	

The harmonious give and take between two creatures resulting in a successful transaction. A meal is prepared by one and enjoyed by another without the two overlapping. 


	




	The Ant&#38;nbsp;
	
	The Grasshopper
	

	&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/5d3368e41bd5ebf2558c41e87cba37ab2c268e505bcb51aa5a3b6cb6ce6ac67f/ezgif.com-optimize-1.gif" data-mid="184315019" border="0"  src="https://freight.cargo.site/w/600/i/5d3368e41bd5ebf2558c41e87cba37ab2c268e505bcb51aa5a3b6cb6ce6ac67f/ezgif.com-optimize-1.gif" /&#62;

The giver prepares the picnic under the hot sun
	
	


&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/d79df6c6da729967c980eddee4aef494388375ed2538854f3d69157045bd6a03/ezgif.com-video-to-gif-3.gif" data-mid="184324858" border="0"  src="https://freight.cargo.site/w/600/i/d79df6c6da729967c980eddee4aef494388375ed2538854f3d69157045bd6a03/ezgif.com-video-to-gif-3.gif" /&#62;

The taker drinks comfortably from the prepared meal


	

	&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/03ebfc5cc6194a881d302ae5e866f50d61f99e7b24306d427db7499875aefab7/ezgif.com-video-to-gif-1.gif" data-mid="184314725" border="0"  src="https://freight.cargo.site/w/600/i/03ebfc5cc6194a881d302ae5e866f50d61f99e7b24306d427db7499875aefab7/ezgif.com-video-to-gif-1.gif" /&#62;

Water replaces the air in the vessel


	
	&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/f75b0de6c415269f439a833fa886f03ad3db23225921ae9e24373726b070a15e/ezgif.com-optimize-10.gif" data-mid="185935561" border="0"  src="https://freight.cargo.site/w/600/i/f75b0de6c415269f439a833fa886f03ad3db23225921ae9e24373726b070a15e/ezgif.com-optimize-10.gif" /&#62;

100 ways of sitting explored
	




	

	&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/57ee44ae7f983350afeb70e84d3f8d843e96a24a6b0bb4b97e0c208fb486d763/ezgif.com-optimize.gif" data-mid="184315020" border="0"  src="https://freight.cargo.site/w/600/i/57ee44ae7f983350afeb70e84d3f8d843e96a24a6b0bb4b97e0c208fb486d763/ezgif.com-optimize.gif" /&#62;

The drink is manually mixed by shaking the seat





	



	
	&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/af70db0af9428e6d22775fc750015968d4724ff272accef4d07168c196f1ed80/ezgif.com-optimize-4.gif" data-mid="184324514" border="0"  src="https://freight.cargo.site/w/600/i/af70db0af9428e6d22775fc750015968d4724ff272accef4d07168c196f1ed80/ezgif.com-optimize-4.gif" /&#62;

At the end of the meal, the basket is deflated, destroyed


	





	&#60;img width="2484" height="1656" width_o="2484" height_o="1656" data-src="https://freight.cargo.site/t/original/i/8ba83e9b1ebfeeae258ca2869d7e47a216c6e2d024a9cb0f182294a00ee29ea2/Untitled-3.jpg" data-mid="186015636" border="0"  src="https://freight.cargo.site/w/1000/i/8ba83e9b1ebfeeae258ca2869d7e47a216c6e2d024a9cb0f182294a00ee29ea2/Untitled-3.jpg" /&#62;


B) PICNIC FOR ONE
	

	The portable picnic basket, designed for one person to inflate and use, elevates the absurdity of the opposite situation. Both tasks of inflating and eating are performed simultaneously. This type of singularity is inconvenient and unnatural.


	


	The Ant&#38;nbsp;
	
	The Grasshopper
	



	&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/5d36b790884bd55c57bb22f306b5f763e167beb3a91b536d30fd08172edfd906/ezgif.com-optimize-5.gif" data-mid="184325439" border="0"  src="https://freight.cargo.site/w/600/i/5d36b790884bd55c57bb22f306b5f763e167beb3a91b536d30fd08172edfd906/ezgif.com-optimize-5.gif" /&#62;
Pumping air into the inflatable bowl, 
performing the task of the giver
	
	&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/9f6f00614fa0d9098e2ac6bf00a24ef414d8c1a4c515914e714bc1dc4933b548/ezgif.com-optimize-6.gif" data-mid="184325438" border="0"  src="https://freight.cargo.site/w/600/i/9f6f00614fa0d9098e2ac6bf00a24ef414d8c1a4c515914e714bc1dc4933b548/ezgif.com-optimize-6.gif" /&#62;



And simultaneously of the 

taker, eating 
milk and cereal from inflated bowl

	





	&#60;img width="5187" height="2650" width_o="5187" height_o="2650" data-src="https://freight.cargo.site/t/original/i/981a57e8b72c1bead3e33d40e753c7f5b74fb1cd66df37d608d8e3f6f9351c77/Group-5.jpg" data-mid="185745148" border="0"  src="https://freight.cargo.site/w/1000/i/981a57e8b72c1bead3e33d40e753c7f5b74fb1cd66df37d608d8e3f6f9351c77/Group-5.jpg" /&#62;
	

	Inflatable Structures


	

	



In the past, inflatables have been subject to numerous speculations. The Inflatable Moment: Pnuematics and Protest in ’68 by Marc Dessauce played a seminal role in introducing the concept of free-floating utopias, using inflatables to inspire grand visions for the future. The book presents inflatable structures and furniture by architect group Utopie. This piece is an attempt at reopening the world to utopian inflatable narratives. 


	




	
&#60;img width="1824" height="1824" width_o="1824" height_o="1824" data-src="https://freight.cargo.site/t/original/i/1682f2da93ee86e0c2d0f324124791910840ba3725d1d3a5c086ffa2a38e6fef/IMG_20220407_170000.jpg" data-mid="172576282" border="0"  src="https://freight.cargo.site/w/1000/i/1682f2da93ee86e0c2d0f324124791910840ba3725d1d3a5c086ffa2a38e6fef/IMG_20220407_170000.jpg" /&#62;
&#60;img width="3243" height="1824" width_o="3243" height_o="1824" data-src="https://freight.cargo.site/t/original/i/c5d627b39b279bad890d1244f9e82dbfdc21122e22890dd933c1b6feec76b3e4/IMG_20220414_173527.jpg" data-mid="172576285" border="0"  src="https://freight.cargo.site/w/1000/i/c5d627b39b279bad890d1244f9e82dbfdc21122e22890dd933c1b6feec76b3e4/IMG_20220414_173527.jpg" /&#62;
&#60;img width="1824" height="1824" width_o="1824" height_o="1824" data-src="https://freight.cargo.site/t/original/i/c2c642f44d2dfdef71726e46043ad7e4b87104c19f84db91df1a6621c558ce74/IMG_20220414_170138.jpg" data-mid="172576284" border="0"  src="https://freight.cargo.site/w/1000/i/c2c642f44d2dfdef71726e46043ad7e4b87104c19f84db91df1a6621c558ce74/IMG_20220414_170138.jpg" /&#62;



	Construction
	

	Experimentation with vinyl and mini iron, pattern making, and heat sealing, to create an inflatable cereal bowl and spoon. 


	



	&#60;img width="3639" height="2729" width_o="3639" height_o="2729" data-src="https://freight.cargo.site/t/original/i/c3247b7ae6819890486ab643cf698fd206832c88cfe13e181e76abafaff4087e/IMG_20220503_162057.jpg" data-mid="172576272" border="0"  src="https://freight.cargo.site/w/1000/i/c3247b7ae6819890486ab643cf698fd206832c88cfe13e181e76abafaff4087e/IMG_20220503_162057.jpg" /&#62;


	REFERENCES
	



	

Research conducted under the guidance of award-winning designer and architect, 

 Allan Wexler. Author of Absurd Thinking: Between Art and Design.





Works Cited:

Aesop, Barnes-Murphy, Frances, and Rowan Barnes-Murphy. The Fables of Aesop. New York: Lothrop, Lee &#38;amp; Shepard Books, 1994.







Bilis, Madeline. “A New Exhibit Explores Inflatable Structures in Architecture.” Boston Magazine, May 1, 2017. https://www.bostonmagazine.com/property/2017/05/01/new-inflatable-movement-bsa-space/. 



Dessauce, Marc. The Inflatable Moment: Pnuematics and Protest in '68. Princeton Architectural Press. 1999. 

Gibbens, Sarah. “See the Festive Tradition of Picnics in India.” Photography, May 4, 2021. https://www.nationalgeographic.com/photography/article/picnic-ganges-river-india-sundarbans-west-bengal-culture. 



Topham, Sean. Blowup: Inflatable Art, Architecture and Design. Munich: Prestel, 2002. 




	

</description>
		
	</item>
		
		
	<item>
		<title>Love on the Spectrum</title>
				
		<link>https://ritikakedia.com/Love-on-the-Spectrum</link>

		<pubDate>Tue, 21 Mar 2023 19:21:25 +0000</pubDate>

		<dc:creator>Ritika</dc:creator>

		<guid isPermaLink="true">https://ritikakedia.com/Love-on-the-Spectrum</guid>

		<description>


	&#60;img width="4000" height="2702" width_o="4000" height_o="2702" data-src="https://freight.cargo.site/t/original/i/5cf1c34ee489e0fb557afe3176c3de0b57a824fe848d649877c755049b87bef5/IMG_20220426_140645-3.jpg" data-mid="184863931" border="0"  src="https://freight.cargo.site/w/1000/i/5cf1c34ee489e0fb557afe3176c3de0b57a824fe848d649877c755049b87bef5/IMG_20220426_140645-3.jpg" /&#62;



	

Love on the Spectrum
	

	



An intuitive card game that provides agency to people while they navigate a first date. A study on women’s experiences on the autism spectrum and how it impacts their experiences of dating and forming connections, emotional and physical. The game acts as a translator of love languages, emotional and physical intimacy is merged to create shared gestures of love. The project is the result of a research assignment for a psychology class and a gestural project for a human factors class. 



	

Completion: 13 December 2021Duration: 8 weeks




	&#60;img width="1500" height="1291" width_o="1500" height_o="1291" data-src="https://freight.cargo.site/t/original/i/ae5babfe6a9ce18ea2aeb916da2058f51161387a590ef040aa459a27d39cdc72/61lYGm95FpS.jpg" data-mid="184642929" border="0"  src="https://freight.cargo.site/w/1000/i/ae5babfe6a9ce18ea2aeb916da2058f51161387a590ef040aa459a27d39cdc72/61lYGm95FpS.jpg" /&#62;
	
	


	Research Question
	

	





In what ways are gestures linked to the portrayal of love? Are these gestures safe and easy to understand? How can gestures be aided to distribute equal agency between giver and receiver?


	




	3 POINTS OF RESEARCH
	




	1. 

Gestural Studies&#38;nbsp;
	

	





A series of observations were conducted in order to understand the different responses of the body in a social space and a personal space. Participants were observed over a period of time and then asked a few questions pertaining to their outward physical expressions. The key insight drawn from this research was that in social situations, people were often playing with their fingers because they were nervous, and in personal spaces because they were bored.

	



	&#60;img width="3819" height="1564" width_o="3819" height_o="1564" data-src="https://freight.cargo.site/t/original/i/5610ffd5ad75ba6bca98ce643954a85668b08aaf44e5f9b68ea76305d00b9268/IMG_20211104_181107-2.jpg" data-mid="184657897" border="0"  src="https://freight.cargo.site/w/1000/i/5610ffd5ad75ba6bca98ce643954a85668b08aaf44e5f9b68ea76305d00b9268/IMG_20211104_181107-2.jpg" /&#62;&#60;img width="3471" height="1536" width_o="3471" height_o="1536" data-src="https://freight.cargo.site/t/original/i/4aad43419532254399268ccc940d39a5964833bd97d40606b516764541e079b6/IMG_20211104_181146.jpg" data-mid="184657031" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/4aad43419532254399268ccc940d39a5964833bd97d40606b516764541e079b6/IMG_20211104_181146.jpg" /&#62;
	



	2. 

Writing Academic Research Paper for Psychology Course


	

	



Interpretative Phenomenological Analysis (IPA) is a qualitative research method that focuses on understanding the lived experiences of individuals. Replicating a study previously conducted on the same-sex relationships of men with autism spectrum disorder, this study focuses on the romantic relationships of women, as there is very little research about women on the spectrum. Questions are based on the different aspects of affection: non-verbal gestures, past trauma, relationship with parent or caretaker, and love languages. 


	


	&#60;img width="2690" height="1774" width_o="2690" height_o="1774" data-src="https://freight.cargo.site/t/original/i/066513e317e1f922827e422098cbc6b4a0e851b3c77c93089b06e83f0be93030/love-on-the-spectrum-human-factors--2_Page_08.jpg" data-mid="184859435" border="0"  src="https://freight.cargo.site/w/1000/i/066513e317e1f922827e422098cbc6b4a0e851b3c77c93089b06e83f0be93030/love-on-the-spectrum-human-factors--2_Page_08.jpg" /&#62;
	







	3. Interviewing Woman on the Autism Spectrum
	

	



To reach out to individuals, posts were made on various aspergers and autism community groups on Facebook. The first interview was conducted with a 39-year-old woman from Denmark over Zoom, who wishes to remain anonymous. She was diagnosed with ASD only a few years ago, and was unaware of her condition for most of her life.
	

	&#60;img width="2143" height="1282" width_o="2143" height_o="1282" data-src="https://freight.cargo.site/t/original/i/d7e3e8c1aebce4864ef6224da1493d93ec0c624da0765b96d7d4c8ba97ce8e55/love-on-the-spectrum-human-factors--2_Page_05.jpg" data-mid="184859434" border="0"  src="https://freight.cargo.site/w/1000/i/d7e3e8c1aebce4864ef6224da1493d93ec0c624da0765b96d7d4c8ba97ce8e55/love-on-the-spectrum-human-factors--2_Page_05.jpg" /&#62;
	




	

The interview consisted of open-ended questions on three main categories: past experiences, relationship with parent or caretaker, and gestures of love. 
Questions like:
What are the most difficult challenges experienced in initiating and maintaining relationships? What are your feelings about being a woman on the spectrum having to go through the dating world?
Other questions on gestural expressions of love were:
What are small things you do to show affection, and how many do you have to remind yourself to do? Are there any gestures that you do to satisfy your partner’s needs? What are ways that you want to receive love?


	


	
&#60;img width="1512" height="1889" width_o="1512" height_o="1889" data-src="https://freight.cargo.site/t/original/i/9080ea4d08e8439b2f06404595b3650e88203fedd8f67110a0642fa47acb940d/Group-4.jpg" data-mid="185730543" border="0"  src="https://freight.cargo.site/w/1000/i/9080ea4d08e8439b2f06404595b3650e88203fedd8f67110a0642fa47acb940d/Group-4.jpg" /&#62;
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&#60;img width="1012" height="1349" width_o="1012" height_o="1349" data-src="https://freight.cargo.site/t/original/i/15609781f57694f3ac3e45eaacce23fd013fbc7eb5206e97504e62e0fc5033fb/Group-1.jpg" data-mid="185730547" border="0"  src="https://freight.cargo.site/w/1000/i/15609781f57694f3ac3e45eaacce23fd013fbc7eb5206e97504e62e0fc5033fb/Group-1.jpg" /&#62;
&#60;img width="1015" height="1353" width_o="1015" height_o="1353" data-src="https://freight.cargo.site/t/original/i/62faf5e710606485e6292efb7c827e446374e08505f6b536c74185e4ce0124fd/Group-2.jpg" data-mid="185730546" border="0"  src="https://freight.cargo.site/w/1000/i/62faf5e710606485e6292efb7c827e446374e08505f6b536c74185e4ce0124fd/Group-2.jpg" /&#62;



	Insights from Research
	

	



Many themes were drawn from the psychology research and the interview answers shared which helped outline a few specific problems. According to the Child and Adolescent Twin Study in Sweden, it is deduced that women with ASD are more likely to experience abuse early in life, which was unfortunately true for the interviewee. She shared how that experience made her distrust any form of physical expression of love. 
The interviewee is happily married and has discussed her refrains with her partner. “Sort of the big sweeping romantic gestures; I find that really exhausting. Holding hands, the little stuff, I’m great at, and I enjoy it. He was missing the big grand gestures, so we had to negotiate to figure out, I can do these things, I can’t do these things.” 


	

	
&#60;img width="1459" height="2188" width_o="1459" height_o="2188" data-src="https://freight.cargo.site/t/original/i/54834d1b11f5d88336b691fc69f9e0146bca0528ac7b0facb04913e0c427df89/IMG20230721222113-2.jpg" data-mid="185729018" border="0"  src="https://freight.cargo.site/w/1000/i/54834d1b11f5d88336b691fc69f9e0146bca0528ac7b0facb04913e0c427df89/IMG20230721222113-2.jpg" /&#62;
&#60;img width="1463" height="2194" width_o="1463" height_o="2194" data-src="https://freight.cargo.site/t/original/i/cf5a4b044d8b6fdca9aae076352f7728020562e08eaa4b354d31e6091688be3d/IMG20230721222150-2.jpg" data-mid="185729019" border="0"  src="https://freight.cargo.site/w/1000/i/cf5a4b044d8b6fdca9aae076352f7728020562e08eaa4b354d31e6091688be3d/IMG20230721222150-2.jpg" /&#62;

	







	THE GAME
	



	

The research culminates in a card game that attempts to bridge the gap between the two ends of a dinner table, whilst still allowing each person to have agency over their physical gestures.&#38;nbsp;



	
	



	

The Experimental Generation of Interpersonal Closeness


	

	



A suggested procedure by psychologist Arthur Aron (and others) which provides 36 questions to build intimacy. For this project, this lsit of questions were adapted and added to. 


	

	&#60;img width="3509" height="2482" width_o="3509" height_o="2482" data-src="https://freight.cargo.site/t/original/i/67b3abed9a90de2e1bad7f13702d0c8ae32b711fbf7e6880750ce53149e89f4a/cards-for-love-on-the-spectrum-web-03.jpg" data-mid="184894599" border="0"  src="https://freight.cargo.site/w/1000/i/67b3abed9a90de2e1bad7f13702d0c8ae32b711fbf7e6880750ce53149e89f4a/cards-for-love-on-the-spectrum-web-03.jpg" /&#62;
	
&#60;img width="1548" height="1233" width_o="1548" height_o="1233" data-src="https://freight.cargo.site/t/original/i/4c3929763d4ce85631a0880f33909f979877ce4ef19b64199ad095de4f86c592/cards-for-love-on-the-spectrum-03-1.jpg" data-mid="184864791" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/4c3929763d4ce85631a0880f33909f979877ce4ef19b64199ad095de4f86c592/cards-for-love-on-the-spectrum-03-1.jpg" /&#62;

	
	






	Contents of the Game
	

	



Inside the box, there are 44 playing cards, one customized mini-twister mat, one instruction sheet and one color reference sheet. There are 6 cards for each of the 6 categories: love, interests memories, autism, hopes, and friends and family. There are also 8 card that allows the player to ask their own question. 

	

	&#60;img width="1880" height="1880" width_o="1880" height_o="1880" data-src="https://freight.cargo.site/t/original/i/0683afb39968c6edede795b1e6f53de264c6db937f2096e8b421713acdf507cf/IMG_20220426_140645-4.jpg" data-mid="184863929" border="0"  src="https://freight.cargo.site/w/1000/i/0683afb39968c6edede795b1e6f53de264c6db937f2096e8b421713acdf507cf/IMG_20220426_140645-4.jpg" /&#62;
	&#60;img width="1553" height="1553" width_o="1553" height_o="1553" data-src="https://freight.cargo.site/t/original/i/8790167d298ad807969bea73ea117b24a40341d02b0bb71e1aa11228066ee6f9/IMG_20220426_141320-2.jpg" data-mid="184847450" border="0"  src="https://freight.cargo.site/w/1000/i/8790167d298ad807969bea73ea117b24a40341d02b0bb71e1aa11228066ee6f9/IMG_20220426_141320-2.jpg" /&#62;



	How to play
	

	



The mat is placed in between the two people playing. A card is picked out from the card pile, and the picker asks the other person the question on the card. After the question is answered they can choose to place one finger on any corresponding coloured circles. As the players go through the questions one by one, they can choose to move towards their partner or away. 


	

	&#60;img width="1139" height="1139" width_o="1139" height_o="1139" data-src="https://freight.cargo.site/t/original/i/82c15eaecef7e5646815dea8866efccdd9bb6f36ab51da184819b48241ce7097/img020.jpg" data-mid="184859362" border="0"  src="https://freight.cargo.site/w/1000/i/82c15eaecef7e5646815dea8866efccdd9bb6f36ab51da184819b48241ce7097/img020.jpg" /&#62;
	
&#38;nbsp;




	One Hour Date
	

	





Meaningful conversation and intentional little gestures between movements on the mat, create a safer and more interesting date. The game was played by a small group of neurotypical people who reflected that the game creates a safe and inclusive space, honoring the sensitivities of people with aversions to physical touch while encouraging empathy and deeper understanding.

	



	&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/bf77d4a93b9318216b111553af686c9cc63f7b6616d04990e55fa5f765f254c0/ezgif.com-gif-maker-7.gif" data-mid="185638712" border="0"  src="https://freight.cargo.site/w/1000/i/bf77d4a93b9318216b111553af686c9cc63f7b6616d04990e55fa5f765f254c0/ezgif.com-gif-maker-7.gif" /&#62;


	



	Post-Experiment Gestural Analysis
	


	



The physical, cognitive and environmental feedback formed a basic rubric of how the players felt during play. The analysis inferred that the game breaks the formality and the expectations presumed on a date, instead it allows people to be more honest.

	

	&#60;img width="2990" height="1504" width_o="2990" height_o="1504" data-src="https://freight.cargo.site/t/original/i/2e29c4e63bfe05def0e432b761a8a0253e38c5f978455f06fdceb4d9720db273/pce-01.jpg" data-mid="184859366" border="0"  src="https://freight.cargo.site/w/1000/i/2e29c4e63bfe05def0e432b761a8a0253e38c5f978455f06fdceb4d9720db273/pce-01.jpg" /&#62;
	

	Future Research Required
	


	



More interviews need to be conducted and compared with people on and off the spectrum to understand to what extent the game is able to make people feel safe. The game needs to be played by a much more diverse group of participants, involving at least one person from the spectrum in each couple. 

	



	&#60;img width="2177" height="1700" width_o="2177" height_o="1700" data-src="https://freight.cargo.site/t/original/i/67835f100b16ae88f96e4b9e3f134d0f3cc5ff361516a65c4f2a4139e3dace44/twister-mat.jpg" data-mid="184893606" border="0"  src="https://freight.cargo.site/w/1000/i/67835f100b16ae88f96e4b9e3f134d0f3cc5ff361516a65c4f2a4139e3dace44/twister-mat.jpg" /&#62;
	
	



	&#60;img width="3451" height="2588" width_o="3451" height_o="2588" data-src="https://freight.cargo.site/t/original/i/bc860cd9da3926aa39b2220cfa09f9de975bba5a30f1b65b1aff081430352f65/IMG_20220426_142436.jpg" data-mid="184847460" border="0"  src="https://freight.cargo.site/w/1000/i/bc860cd9da3926aa39b2220cfa09f9de975bba5a30f1b65b1aff081430352f65/IMG_20220426_142436.jpg" /&#62;

	REFERENCES
	




	

Research conducted under the guidance of somatic researcher and professor-&#38;nbsp;Ari Elefterin, and clininal psychology researcher and proffesor-&#38;nbsp;Dr. Howard Steele.



Works Cited:

Alase, A. (2017). The interpretative phenomenological analysis (IPA): A guide to a good qualitative research approach. International Journal of Education and Literacy Studies, 5(2), 9. https://doi.org/10.7575/aiac.ijels.v.5n.2p.9 

American Psychiatric Association, (1994). Diagnostic and statistical manual of mental disorders. Washington, DC: Author. 

Byers, E. S.,&#38;nbsp; Nichols, S., &#38;amp;&#38;nbsp; Voyer, S. D.&#38;nbsp; (2013). Journal of Autism and Developmental Disorders. 

Charman, T. (2003). Why is joint attention a pivotal skill in autism? Philosophical Transactions of the Royal society of London, Series B, Biological Sciences, 358 (1430), 315-324.

Cohen, L., &#38;amp; Manion, L. (1994). Research methods in education. (4th ed.) London: Routledge

Commons, M. L., Adhikari, D., Giri, S., Weinberg, M., Baran, J. J., &#38;amp; Malik, E. (2017). Measuring developmental outcomes in autism spectrum disorder (ASD). Behavioral Development Bulletin, 22(1), 197-208. http://dx.doi.org/10.1037/bdb0000065

Hogan, M. S., &#38;amp; Micucci, J. A. (2020). Same-sex relationships of men with autism spectrum disorder in middle adulthood: An interpretative phenomenological study. Psychology of Sexual Orientation and Gender Diversity, 7(2), 176-185. http://dx.doi.org/10.1037/sgd0000372

Flusser Vilém. (2014). Gestures. University of Minnesota Press. 

Losh, M., &#38;amp; Capps, L. (2006). Understanding of emotional experience in autism: Insights from the personal accounts of high-functioning children with autism. Developmental Psychology, 42(5), 809-818. http://dx.doi.org/10.1037/0012-1649.42.5.809

Medeiros, K., &#38;amp; Winsler, A. (2014). Parent-child gesture use during problem solving in autistic spectrum disorder. Journal of Autism Developmental Disorder, 44, 1946-1958.

Smith, J. A.,&#38;nbsp; Shinebourne, P.,&#38;nbsp; Cooper, H.,&#38;nbsp; Camic, P. M.,&#38;nbsp; Long, D. L.,&#38;nbsp; Panter, A. T.,&#38;nbsp; Rindskopf, D., &#38;amp;&#38;nbsp; Sher, K. J.&#38;nbsp; (Eds.) (2012). Research designs: Quantitative, qualitative, neuropsychological, and biological. Washington, DC: American Psychological Association. 

Sohn, E. (2021, July 16). Righting the gender imbalance in autism studies. Spectrum. Retrieved December 2, 2021, from https://www.spectrumnews.org/features/deep-dive/righting-gender-imbalance-autism-studies/. 

Tsao, L. (2008). Social, language, and play behaviors of children with autism. Behavioral Development Bulletin, 14(1), 40-51. http://dx.doi.org/10.1037/h0100506

Willig, C.&#38;nbsp; (2013). Introducing qualitative research in psychology. Maidenhead, England: Open University Press.

Zeliadt, N. (2018, May 29). Girls with autism at high risk of sexual abuse, large study says. Spectrum. Retrieved December 1, 2021, from https://www.spectrumnews.org/news/girls-autism-high-risk-sexual-abuse-large-study-says/. 



	

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